The National Concept Behind Japanese Aesthetic "Wabi-sabi"

Taking the Gold Ornaments in Nagoya City as an Example.

Authors

  • Lucheng Mi

DOI:

https://doi.org/10.62051/ijsspa.v3n3.37

Keywords:

Wabi-sabi, Shadow, National Concept, Japanese

Abstract

This article takes the gold jewelry of Nagoya Castle as an example, and through a case study method, discusses the correlation between the Japanese aesthetic concept of "Wabi-sabi" and the social tradition of "gaman" and the philosophical thought of "no-self" in the Japanese national character. The purpose is to point out that aesthetic preferences are affected by external factors such as national growth environment and moral concepts. Similarly, Japanese philosophical thoughts and national concepts have had a profound impact on the formation and development of wabi-sabi aesthetics. The research in this article not only helps the academic community to fully grasp the essential characteristics of wabi-sabi aesthetics; it also helps the academic community to deeply understand the similarities and differences between wabi-sabi aesthetics and other aesthetic concepts; it has certain academic significance for promoting the theoretical research and practical application of wabi-sabi aesthetics and realistic value.

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References

Liu Chunting: "The Extension and Flow of Japanese Zen Style in Japanese Design" "Popular Literature and Art", Issue 19, 2011, 68-69.

Aysha Mendes, Folds, features and fortunes: examining trends in the Japanese aesthetics industry, Aesthetic nursing 2016-3-7.

He Fang. (2008). Looking at the diversity of Japanese national culture from the meaning of the word "wo na". Journal of Guizhou University for Nationalities: Philosophy and Social Sciences Edition, (5), 126-127.

lily crossley-baxter, Wabi-sabi offers a refuge from the modern world's obsession with perfection, and accepts imperfections as all the more meaningful – and, in their own way, beautiful. 2020.4.28(https://www.bbc.com/travel/ article/20181021-japans-unusual-way-to-view-the-world).

Tomonobu Imamichi, Aesthetics in the Orient, Joint Publishing, 1991.

Benedict, Ruth. The Chrysanthemum and the Sword. Houghton Mifflin Harcourt, 2005.

Onishi Yoshinori, Japanese Wabi-Sabi, Beijing United Publishing Company, September 2019, page 8.

Jun'ichirō Tanizaki, In Praise of Shadows, Hunan Fine Arts Publishing House, February 2021, page 135.

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Published

21-07-2024

Issue

Section

Articles

How to Cite

Mi, L. (2024). The National Concept Behind Japanese Aesthetic "Wabi-sabi": Taking the Gold Ornaments in Nagoya City as an Example. International Journal of Social Sciences and Public Administration, 3(3), 298-305. https://doi.org/10.62051/ijsspa.v3n3.37