The Influence of K.S.Stanislavsky's Teaching on the Development of Chinese Theatre

Authors

  • Hao Zhang

DOI:

https://doi.org/10.62051/ijsspa.v2n3.33

Keywords:

Performance, Stanislavsky System, Chinese Theatre, Mei Lanfang, Acting

Abstract

At the beginning of the last century, the world's performance system was gradually formed and developed. The Stanislavsky performance system was established on the basis of absorbing the essence of various world plays: a combination of performance, directing, drama teaching and methods. The Stanislavsky system is a precious treasure of the world. It is of great significance to the theory and practice of Chinese watchmaking art. In China, "From the 1930s to the end of the 1970s, in the performing arts, it can be said that Stanislavsky was a god-like being. While accepting him, the Chinese theater scene in the 20th century also had experience in learning and researching the system. a complex process that reacts to the evaluation shows a trend of ups and downs. However, to this day, although Stanislavsky is long gone, his system remains focused on the relevance of concrete learning research.

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References

Jiang, Hanyang,2019. “By means of études: Boris Kulnev in an advanced actor training class in. Beijing,1955-1956.” Stanislavski Studies 8 (2019): 33 - 50.

Liu, Siyuan.2016 “The Cross Currents of Modern Theatre and China’s National Theatre Movement of 1925–1926.” Asian Theatre Journal 33 (2016): 1 - 35.

PĂTrU C.2018. The Anniversary by AP Chekhov–Practical Application of the Stanislavski System[J]. DramArt. Revistă de studii teatrale, 2018 (7): 111-125.

Sweeney R, McNaughten B, Thompson A, et al. ACTup: advanced communication training simulation enhanced by actors trained in the Stanislavski system[J]. BMJ Simulation & Technology Enhanced Learning, 2021, 7(1): 35-37.

TIAN, M. Gordon Craig, Mei Lanfang and the Chinese Theatre / M.TIAN.– Theatre Research. International, 32(2), 2007. – Pp161–177.

Tian, Min.(2008) For an examination of the impact of Brecht's interpretation of Mei Lanfang's art on. the Chinese views of traditional Chinese theatre /Min Tian// The Poetics of Difference and Displacement - Hong Kong: University Press. – Pp175–191.

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Published

17-04-2024

Issue

Section

Articles

How to Cite

Zhang, H. (2024). The Influence of K.S.Stanislavsky’s Teaching on the Development of Chinese Theatre. International Journal of Social Sciences and Public Administration, 2(3), 237-242. https://doi.org/10.62051/ijsspa.v2n3.33