Study of the Impressions of the Guanfo Statues in the Longmen Grottoes and Social and Cultural Changes
DOI:
https://doi.org/10.62051/ijsspa.v2n3.32Keywords:
Longmen Grottoes, Northern Dynasty, Sui and Tang Dynasties, PrintAbstract
The Dharma seal expressed in the Buddha statues is according to certain rules. The image of the provider represented is not only the image of the Buddhists who make and worship Buddha statues, but also an image for them to establish their own existence as a subject of the emperor, a member of the state. The image of the provider represented is not only the image of the Buddhists who make and worship Buddha statues, but also an image for them to establish their own existence as a subject of the emperor, a member of the state and society. The role of Dharma seal originated from the Shakya sect in ancient India, and in the early Mahayana Buddhist portraits and statues, There are usually only five impressions. This paper expounds the main types of Buddhist statues (taking the statues in the Longmen Grottoes Museum as an example) and summarizes their main functions. This paper expounds the main types of Buddhist statues (taking the statues in the Longmen Grottoes Museum as an example) and summarizes their main functions. By taking part in the field investigation, the author finds out the similarities and differences between the same By taking part in the field investigation, the author finds out the similarities and differences between the same type of prints by using the method of comparative historical argumentation, summarizes the social and cultural changes in the history of art, and puts summarizes the social and cultural changes in the history of art, and puts forward a new viewpoint.
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