Study on the Historical and Cultural Overview of Northern Shaanxi Based on Music Folk Customs and Agriculture and Animal Husbandry Folk Customs
Keywords:
Music Folk Customs; Agricultural and Pastoral Customs; Dietary Culture and Architectural Characteristics.Abstract
North Shaanxi is located near the ancient historical center of China, Chang'an, and is a military stronghold. It is also the border between the farming and grassland ethnic groups in the Central Plains, and has rich research value. This article first explores the music and folk culture of northern Shaanxi from three aspects: folk songs, Nao Yangge, and storytelling. As a way of expressing emotions among the people, music can best reflect the aspirations of the people of northern Shaanxi and plays an important role in studying the history and culture of northern Shaanxi. Subsequently, the agricultural and pastoral folk culture in northern Shaanxi will be introduced from both production and daily life. Regarding the production of agricultural and pastoral folk culture, this article studies from three dimensions: the agricultural and pastoral festival customs, sacrificial rituals, and belief customs of the people of northern Shaanxi. These three dimensions reflect the characteristics of the combination of agriculture and pastoral culture and the diversity of beliefs in northern Shaanxi. Regarding the daily life of agricultural and pastoral folk culture, with a focus on the catering culture and architectural characteristics of northern Shaanxi, it reflects the enthusiastic and heroic character of the people of northern Shaanxi from two aspects: food and housing. Music is the artistic embodiment of the people of northern Shaanxi, and agricultural and pastoral customs involve their historical origins, cultural characteristics, and local customs. Therefore, this article focuses on these two themes and presents the historical and cultural characteristics of northern Shaanxi from three perspectives: history, culture, and customs.
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References
Qin Yan: "The Society of Northern Shaanxi in the Late Qing Dynasty and Early Republic of China", Xi'an; Shaanxi People's Publishing House, 2000 edition.
Huo Xianggui: "Complete Collection of Folk Songs in Northern Shaanxi" (Volume 1), Xi'an: Shaanxi People's Publishing House, 2006 edition.
(Song) Fan Chengda's "32 Rhymes of the Wu Zhong Festival in the Upper Yuan Dynasty", published in "Fan Shihu Collection - Volume 2 and 13", Shanghai: Shanghai Ancient Books Publishing House, 1981 edition, page 326.
(Song) Yang Wanli's "View of the Society", published in "Yang Wanli's Collection of Notes, Volume 37, Retirement Collection", Beijing: Zhonghua Book Company, 2007 edition, page 1936.
Yang Yinliu's "Draft of Ancient Chinese Music History" (Volume 1), Beijing: People's Music Publishing House, 1981 edition, page 56.
Xiong Gongzhe's "Xunzi's Annotation and Translation", Taipei: Taiwan Commercial Press Co., Ltd., 1976 edition, pages 503-504.
Li Xiling, "Records of Yulin Prefecture" (engraved in the 21st year of the Qing Dynasty's Daoguang reign), Volume 24 "Records of Customs", page 2.
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