Taoist Aesthetics Perspective: Cultural Consciousness and Innovation in Craft Design
DOI:
https://doi.org/10.62051/ijgem.v3n3.39Keywords:
Taoist Aesthetics, Modern Craft, Design Philosophy, IndividualizationAbstract
This research investigates the application of Taoist aesthetics in modern craft design, meeting the demand for individualized cultural products. It reviews Taoist principles—"nature," "non-action," and "simplicity"—and their reflection in design, emphasizing harmony with nature and a minimalist design philosophy. The research demonstrates the contribution of Taoist philosophy to the enrichment of design principles, providing innovative direction to designers while honoring and integrating traditional cultural elements with contemporary preferences.
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Yang, W., & Wang, Q. (2024). The embodiment of Taoist aesthetic thought in modern packaging design: A case study of the Guan Xia brand. *China Packaging*, (2), 33-36.
Chen, G. Y. (2009). Taoist culture and art research. Taipei: Student Bookstore.
Li, Z. H. (1985). Outline of the history of Chinese aesthetics. Shanghai: Shanghai People's Publishing House.
Zhang, F. (2010). The concept of nature in the history of Chinese aesthetics. Literary and Art Studies, (6), 5-12.
Zhao, T. Y. (2001). Taoist thought and modern art. Beijing: Life, Reading & New Knowledge Sanlian Bookstore.
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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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