The Centennial History of Movies: The Evolution and Far-reaching Impact of Recording Technology in the Historical Development Trajectory

Abstract

This paper traces the centennial evolution of film history through the lens of recording technology, examining how advancements in sound recording have shaped both the artistic aesthetics and industrial progress of cinema. Focusing particularly on the unique trajectory of Chinese film sound development, the study explores key milestones—from the introduction of silent cinema to the emergence of synchronized sound films—and how these transitions reflect broader sociopolitical and technological shifts. The article highlights the dynamic interplay between imported technologies and indigenous innovations, detailing how early Chinese filmmakers adapted foreign techniques while cultivating local recording practices. Through representative works and historical junctures, the paper illustrates the integration of sound into narrative structure, the rise of film drama as a cultural hybrid, and the post-war refinement of cinematic realism and sound montage. Furthermore, it emphasizes the contemporary relevance of sound aesthetics in the digital age, advocating for a synthesis of advanced recording technologies with traditional cultural elements. Ultimately, the research underscores the critical role of sound as a narrative and artistic force in film, calling for continued innovation and aesthetic exploration in China’s modern recording industry.