Innovation Strategies of Myths Films Towards Chinese Traditional Culture-Take Ne Zha 2 As an Example

Authors

  • Yiqing Lin
  • Shuchang Wang

DOI:

https://doi.org/10.62051/d6yngh94

Keywords:

myths adaption, animation film, mythological IP, audience's perception, Ne Zha 2.

Abstract

In recent years, Chinese animation has modernised and innovated on the basis of traditional cultural IPs, unleashing a new wave of creativity. With its subversive reconstruction of classical myths and accurate capture of the spiritual needs of the youth population, Ne Zha 2 has become a benchmark at the global box office. Taking Ne Zha 2 as a core case, this study integrates cinematographic, psychological and sociological perspectives, and explores its IP construction strategy and audience emotional connection mechanism through questionnaires and group interviews. The study finds that the film adopts a two-pronged strategy of "traditional base + modern expression" to reshape Ne Zha's image into an anti-labelling character, build an emotional bridge between the audience and the character through the empathy effect, and directly address Generation Z's need for reflection on identity and social discipline, thus achieving innovation in cultural symbols and differentiated competition in IPs,, and helps national comics export their value and upgrade the industry in the global context.

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References

[1] Z. Shi, Z. Ren, Retelling and Continuation: An Analysis of the Narrative Paradigms of Domestic Animated Films in the Past Decade, Contemp. Lit. Crit. (2025) 140-145.

[2] R. McKee, Story: Substance, Structure, Style and The Principles of Screenwriting (1997). ISBN: 0-06-039168-5.

[3] J. Fu, W. Guo, The Experience and Problems in the Construction of the "Story World" in Chinese Animated Films: Taking the "White Snake: The Origin" Series as an Example, J. Zhengzhou Univ. Aeronaut. (Soc. Sci. Ed.) 43 (2024) 72-78.

[4] M. Yu, J. Zhou, Reconstruction of "Mythological IP": A Modern Review and Reinterpretation of the Shaping of Chinese Animated Films, Movie Lit. (2024) 88-94.

[5] H. Peng, the subversion and reshaping of classic cultural IP images in domestic animated films, Sichuan Drama (2023) 84-87.

[6] S. Hall, Encoding and decoding in the television discourse (1973).

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Published

21-08-2025

How to Cite

Lin, Y., & Wang, S. (2025). Innovation Strategies of Myths Films Towards Chinese Traditional Culture-Take Ne Zha 2 As an Example. Transactions on Social Science, Education and Humanities Research, 15, 97-105. https://doi.org/10.62051/d6yngh94