The evolution of music in the fusion of Chinese and Western cultures: an analysis of historical cultural Context and social and political significance
DOI:
https://doi.org/10.62051/m45bdm42Keywords:
Chinese and Western music fusion, cultural exchange, historical changes, social and political influence.Abstract
Following the track of communication between Chinese and western music since ancient times, this paper focuses on the characteristics of music fusion in different times and its hidden social motivations. First, this paper examines the origins of ancient Chinese and Western musical exchanges, such as the Silk Road, which contributed to the collision and integration of cultural ideas; Then, the spotlight turns to modern times, especially during the 20th century, in the face of the expansion of Western cultural forces, how the Chinese musical territory absorbs and transforms the essence of Western music, and this change has a profound impact on the Chinese classical music system. Then, under the blue picture of global integration, the symphonic and symbiotic phenomenon of Chinese and Western music is explored, and its value and significance in building a multi-musical ecological chain is analyzed. The role of music as a tender agent of national diplomacy, a melodic cornerstone of national identity construction, and a resonant voice of social movements is also explored in detail. Through case studies, such as the compositions, movements and music festivals of outstanding musicians, the power of music to transcend geographical and cultural barriers and promote understanding and harmonious coexistence among all ethnic groups is revealed. The interweaving of Chinese and western music is not only a superficial exchange of artistic forms, but also a reflection of profound cultural dialogue and social pulsation. It not only adds new blood to the connotation of music art, but also provides an innovative perspective to ease the cultural friction in the process of globalization. Future research should deepen the exploration of the integration of Chinese and Western music to promote global peace and development.
Downloads
References
[1] Fitch, W. Tecumseh. "The evolution of music in comparative perspective." Annals of the New York Academy of Sciences 1060.1 (2005): 29-49.
[2] Ravignani, Andrea, Tania Delgado, and Simon Kirby. "Musical evolution in the lab exhibits rhythmic universals." Nature Human Behaviour 1.1 (2016): 0007.
[3] Perlovsky, Leonid. "Musical emotions: Functions, origins, evolution." Physics of life reviews 7.1 (2010): 2-27.
[4] McDermott, Josh. "The evolution of music." Nature 453.7193 (2008): 287-288.
[5] Magnusson, Thor. "The migration of musical instruments: on the socio-technological conditions of musical evolution." Journal of New Music Research 50.2 (2021): 175-183.
Downloads
Published
Conference Proceedings Volume
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.








