Exploring the Aesthetic of Empfindsamer Stil: A Case Study on Carl Philipp Emanuel Bach's Keyboard Sonata in A Major, Wq55 No.4’s Second Movement
DOI:
https://doi.org/10.62051/pz98cg87Keywords:
Empfindsamer Stil; Aesthetic; C. P. E. Bach; Keyboard Sonata in A Major, Wq55.No.4’s Second Movement; Transition; Baroque to the Classical Period.Abstract
This paper aims to analyze Carl Philipp Emanuel Bach's Keyboard Sonata in A Major, Wq55 No. 4’s second movement from different aspects to appreciate the charm of the Empfindsamer Stil. The analysis is from various aspects, such as harmonies, dynamics, ornamentation, and dramatic expressiveness in the sonata. In addition, this research will gain a deeper understanding of the aesthetic of this musical style and its significance in the development of Western classical music.
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References
Burkholder, James, Donald Grout, and Claude Palisca. “Chapter 22: Instrumental Music: Sonata, Symphony, And Concerto,” essay. In A History of Western Music, 10th ed., Volume 3. New York & London: W.W. Norton &Company, 2019, 507.
Burkholder, James, Donald Grout, and Claude Palisca. “Chapter 20: Musical Taste and Style in the Enlightenment,” essay. In A History of Western Music, 10th ed., Volume 2. New York& London: W. W. Norton & Company, 2019, 463.
Yang, Yandi. A New Theory of Musicology: Disciplinary Fields and Research Standards in Musicology, “Chapter 7: Music Aesthetics”. Beijing: Higher Education Press, 2011, 144.
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications, INC, 2020, 4.
Lester, Joel. “Rameau and eighteenth-century harmonic theory”, In the Cambridge History of Western Music Theory, edited by Thomas Christensen, translated by Damin Ren. Shanghai: Shanghai Music Publishing House,2011, 716-718.
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