A Comparative Study of Dance Characteristics on Han Dynasty Portrait Stones in Nanyang and Shandong

Dou Hong

doi:10.62051/7rpb6t12

Authors

Dou Hong

DOI:

https://doi.org/10.62051/7rpb6t12

Keywords:

Han Dynasty portrait stones; cultural fusion; dance culture; Nanyang portrait stones; Shandong portrait stones.

Abstract

The Han Dynasty was a prosperous period in Chinese history, during which dance art also made significant advancements. This paper focuses on the study of portrait stones from the Han Dynasty, conducting a classification, comparison, and regional distribution analysis of dance images on Nanyang and Shandong portrait stones. By integrating historical literature, archaeological data, and contemporary dance theory, the paper reveals the characteristics of dance culture in different regions during the Han Dynasty and their geographical differences. The research finds that the dances depicted on Nanyang portrait stones exhibit distinct regional features, showcasing a vivid, natural, and simple folk dance style. In contrast, the dances on Shandong portrait stones are influenced by Confucian culture, displaying a more splendid and standardized character. These differences reflect the diversity of regional cultures and the flourishing of folk dance during the Han Dynasty.

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References

Citation from Huang Yafeng: "Research on Han Portrait Stones and Brick Art," China Social Sciences Press, 2014, p. 252.

Citation from Liu Qingge, Peng Song: "A Comprehensive History of Chinese Dance - Qin and Han Volumes," Shanghai Music Publishing, 2009, p. 62.

The image and description are sourced from Wang Jianzhong, Shanxiushan: “Han Portrait Stones in Nanyang,” the Cultural Relics Press, 1990, p. 68.

The image and description are sourced from Wang Jianzhong, Shanxiushan: “Han Portrait Stones in Nanyang,” the Cultural Relics Press, 1990, p. 69.

Citation from Huang Yafeng: “Research on Han Portrait Stone and Brick Art,” China Social Sciences Press, 2014, p. 235.

The image and description are cited from the Shandong Provincial Museum and Shandong Provincial Institute of Cultural Relics and Archaeology's publication: “Selected Collection of Han Portrait Stones in Shandong,” 1982, p. 56.

The image and description are cited from the Shandong Provincial Museum and Shandong Provincial Institute of Cultural Relics and Archaeology's publication: “Selected Collection of Han Portrait Stones in Shandong,” 1982, p.