The Translation and Dissemination of Shandong Red Culture from the Perspective of Multi-Modal Translation Theory

Abstract

The translation and dissemination of literature is a critical means of cultural exchange, enabling the transmission of ideas, values, and traditions across linguistic and cultural boundaries. In recent years, multi-modal translation theory has emerged as a significant framework for understanding the complexities involved in translating literary works that encompass various modes of representation, such as text, images, and sound. This research focuses on "Red Sorghum", a seminal work of Shandong red literature, which is renowned for its vivid portrayal of rural life in China during the 1930s and 1940s. The novel, written by Mo Yan, winner of the Nobel Prize in literature, has been widely acclaimed for its powerful narrative and rich cultural connotations. The study examines the multi-modal characteristics of the text, the translation strategies employed, and the multi-modal transformations that occur during the translation process. By adopting a multi-modal approach to translation, this study contributes to a deeper understanding of the complexities involved in translating literary works, particularly those with rich cultural and historical contexts. The findings of this research have implications for the field of translation studies and offer insights into the effective dissemination of literary works across cultures.